Thursday, 23 February 2012
Tuesday, 21 February 2012
Lovely, lovely noises
Friday, 17 February 2012
Who is DjDezAndres? What is Livestream? Where is Detroit? Why is he the G.O.A.T When can you catch this VIBE?


Thursday, 16 February 2012
AWOLNATION - Sail (WhiteNoise Remix) & Gypsy & The Cat - Jona Vark Tommy Trash
Loving this .......AWOLNATION - Sail (WhiteNoise Remix)
also just rediscovered this on a random car cd........Gypsy & The Cat - Jona Vark Tommy Trash remix
Enjoy!!!
Tuesday, 14 February 2012
Lovage - Strangers On A Train
My contribution to the Valentine's Day vibe.
It's positively dripping with sex.
VALENTINES SPECIAL - We don't have to take our clothes off....
For those that are one glass of wine from 'getting it on'
For those that only need a beat to rock with
For those with noone to love
For those that really don't want to love because they're scared of VD
For those that want to love but are genuinely scared of catching AIDS and are kind enough to spread the word of warning by way of song to the world
For those that are so in love they need to sing about it
For those that don't give it that much thought ;)
Enjoy you filthy animals, and remember if you can't be safe, be quick to escape! Happy Valentines Day!
Monday, 13 February 2012
I saved this lhis last dance for you, you have a pleasant bottom...
To honour St Valentine, this is for those with a glass of wine, a slightly too hot living room and some Oust in the bathroom, play this and tonight is your lucky night...
For the lovers, we're not sellouts, it's just one of the best adverts I've ever seen...
Sunday, 12 February 2012
Friday, 10 February 2012
Thursday, 9 February 2012
You got to hold or give, but do it at the right time
Wednesday, 8 February 2012
Feva re-corporation remix for Thievery Corporation feat Mr Lif - Culture Of Fear
big up feva vote or he will chop an axe in the wood we love trees vote please
Odyssey Recordings Mixes
http://www.mixcloud.com/OdysseyCollective/
Tuesday, 7 February 2012
Lets Go Yo

so i go for the music i stay for the people and if your belly get hungry the best chip butty inna the country is available pon request chips cooked in coconut oil are jus tastier me no know why.and cake for afters amazing, something Flo and i have in common is our passion for baking and music mixin and blendin both its fun to share so thats the scene wha happen den, well i turn up and just go with the flo, set up myself comfortably behind the decks upon the roof of our favourite nightclub, at 10:40 on the 2nd of february 2012 i press record, we had already played Linval Thompson Freddie Mcgregor King Tubby Luciano and of course some Bob Marley i drop Turbulence and the night begins.
Flo is a master selector and wastes no time taking you on a journey through reggae country african riddims dub and dubstep productions it is eclectic but seemless liquid in and out of the different genres whilst still repping local artist this is one of his deepest qualities.
so he leaves me with the perfect record to follow ive never heard it but its perfect it has everything that iam about he knows and waltzes off to take care of everything else my turn to select i do believe i have to begin with a unit classic from the man like robin don. this is my second time at Go with the flo and the first time i played i played the jah army riddim so i knew it was right to play it twice (Flo also plays a track twice) i played tanya stephens on newyears eve 2010/11 in the main room of pst so imix it outta mad professor and some people start to arrive and vibe with me, my intention is clear, warm and eazy e vibes is set to follow i try to make a soundsystem sing and the people dance juggling records and mp3s is a must in this century if i truly am gonna represent this country proper some exclusives are only on mp3 watch the mixin its basic but effective. iam the gatekeeper to a special kind of uk sound i been here since 19 long time
its Dilla month so i test the system with Jungle Love beat is so heavy rhyme so on point (its going well) i come with classic material you have never heard before we twist and push the envelope take you in and out your comfort zone the crowd is buildin still and as midnight approaches in walk the man like bongo damo long time friend and mentor i know what he wants to hear and iam the only dj with balls big enough to front this shit Brand fucking new music mixes with classics and its all fun lets move this thing to the nxt level the vibes were high the women wre there it was a most beautiful happening i have been making tastes since 1995 and its evident as the party heats up so does the tempo we now bubbling nicely ready for the big tune to drop the barrington levy remix is so hype i cant help but throw my hand in the air i love what i do, on to the wheel ups i pull a couple of tunes back to the top for the people dem job done i ease into the night with some of my favourite records and finish with my fave dilla joint . flo comes back on and the vibes flo to higher vibration the selections get deeper and nicer two o'clock comes too soon and you have to wait till next week when it will be even better than you remember one
Lets Go With The Flo @ P.S.T by Beta Max on Mixcloud
https://twitter.com/alladats
Sunday, 5 February 2012
Friday, 3 February 2012
Ron Trent. Not from Stoke on Trent.
The proletariat have seized the means of production. Music production, that is.
Any halfwit with a copy of Ableton, Cubase and Reason can bang together a semi respectable track these days. A myriad of sounds, instruments and, snyths, all at your fingertips. The options have never been more varied, the price never more accessible.
So why do tracks like this and other offerings from the late 80's/ early 90's wipe the floor with today's output? Nostalgia? A meandering walk down Memory Lane? Perhaps. But I wasn't attending raves under the M42. I was 10 when this badboy came out. I might have looked older than my age (something I exploited to the full a few years later) but I didn't look that old. I only discovered these gems a few years into my conversion to House music, circa 1995 onwards.
So what is it?
A Guy Called Gerald ( Mr Gerald Simpson to his postman) described his Roland TB-303 bass synthesiser and the TR-808 as a sort of time machine, the idea that the beat of the drum has performed a vital role in group and tribal gatherings since the year dot. He is merely the conduit, duplicating, repeating and harnessing this ancient power.
It's an interesting concept, but where do the bleeps come into it? After much deliberation, I am of the opinion that Ron Trent, Kevin Saunderson, Marshall Jefferson and all the other early pioneers were sent here from another planet. What else could reasonably explain the gulf in class? Those bleep sounds were merely a form of communication, the opening salvo in our integration into a wider cosmos. I accept that this moment of clarity might be heavily influenced by lack of sleep and spending way too much time on David Icke's website recently, but a world run by lizard people and aliens is -quite frankly- not as scary as a world with Sarah Palin, David Cameron and Nicolas Sar Co Zeee manning the controls.
Slightly to the left of usual posts, but a piece of art that deserves 3.52 minutes of your life
Thursday, 2 February 2012
Sub fm where bass matters
http://www.mixcloud.com/whistla/subfm-24th-january-2012/
Whistla wheels up alladat the people them a demand it seen
link to the release is below check it its alladat