Friday, 5 October 2012
Saturday, 23 June 2012
Sunday, 8 April 2012
Feed Me Easter Eggs!!
Feed Me - White Spirit
Feed Me - Blood Red
I was perusing Play to find something new to get and stumbled across Feed Me's album 'Feed Me's Big Adventure'. It is from 2011,there is a more recent LP out if you wanna check that out, but I've included two of my favourite songs off the album.......Enjoy!
Orbital | Never
If you didn't already Orbital have released a new album this year after all these years. Well here is a track from the new album and a pretty cool vid to go with it. The boys are still going strong, LEGENDS!!!
Orbital - Live at Glastonbury (FULL HQ)
So tomorrow night I shall be lucky enough to be catching this pair of genius' at work and had to share this medley of their live shows at glasto over the years
Sunday, 18 March 2012
Britain vs America!!
Plan B - ill Manors
Jay-z & Kanye West - Niggas In Paris
Wednesday, 14 March 2012
Tuesday, 13 March 2012
Tuesday, 6 March 2012
Greetings from the Odyssey Recordings Camp.
i need you tonight
Monday, 5 March 2012
High Contrast
Well worth a listen...here are two of the tracks off the album....
Saturday, 3 March 2012
When TMID Met... EYES
Thursday, 23 February 2012
Tuesday, 21 February 2012
Lovely, lovely noises
Friday, 17 February 2012
Who is DjDezAndres? What is Livestream? Where is Detroit? Why is he the G.O.A.T When can you catch this VIBE?


Thursday, 16 February 2012
AWOLNATION - Sail (WhiteNoise Remix) & Gypsy & The Cat - Jona Vark Tommy Trash
Loving this .......AWOLNATION - Sail (WhiteNoise Remix)
also just rediscovered this on a random car cd........Gypsy & The Cat - Jona Vark Tommy Trash remix
Enjoy!!!
Tuesday, 14 February 2012
Lovage - Strangers On A Train
My contribution to the Valentine's Day vibe.
It's positively dripping with sex.
VALENTINES SPECIAL - We don't have to take our clothes off....
For those that are one glass of wine from 'getting it on'
For those that only need a beat to rock with
For those with noone to love
For those that really don't want to love because they're scared of VD
For those that want to love but are genuinely scared of catching AIDS and are kind enough to spread the word of warning by way of song to the world
For those that are so in love they need to sing about it
For those that don't give it that much thought ;)
Enjoy you filthy animals, and remember if you can't be safe, be quick to escape! Happy Valentines Day!
Monday, 13 February 2012
I saved this lhis last dance for you, you have a pleasant bottom...
To honour St Valentine, this is for those with a glass of wine, a slightly too hot living room and some Oust in the bathroom, play this and tonight is your lucky night...
For the lovers, we're not sellouts, it's just one of the best adverts I've ever seen...
Sunday, 12 February 2012
Friday, 10 February 2012
Thursday, 9 February 2012
You got to hold or give, but do it at the right time
Wednesday, 8 February 2012
Feva re-corporation remix for Thievery Corporation feat Mr Lif - Culture Of Fear
big up feva vote or he will chop an axe in the wood we love trees vote please
Odyssey Recordings Mixes
http://www.mixcloud.com/OdysseyCollective/
Tuesday, 7 February 2012
Lets Go Yo

so i go for the music i stay for the people and if your belly get hungry the best chip butty inna the country is available pon request chips cooked in coconut oil are jus tastier me no know why.and cake for afters amazing, something Flo and i have in common is our passion for baking and music mixin and blendin both its fun to share so thats the scene wha happen den, well i turn up and just go with the flo, set up myself comfortably behind the decks upon the roof of our favourite nightclub, at 10:40 on the 2nd of february 2012 i press record, we had already played Linval Thompson Freddie Mcgregor King Tubby Luciano and of course some Bob Marley i drop Turbulence and the night begins.
Flo is a master selector and wastes no time taking you on a journey through reggae country african riddims dub and dubstep productions it is eclectic but seemless liquid in and out of the different genres whilst still repping local artist this is one of his deepest qualities.
so he leaves me with the perfect record to follow ive never heard it but its perfect it has everything that iam about he knows and waltzes off to take care of everything else my turn to select i do believe i have to begin with a unit classic from the man like robin don. this is my second time at Go with the flo and the first time i played i played the jah army riddim so i knew it was right to play it twice (Flo also plays a track twice) i played tanya stephens on newyears eve 2010/11 in the main room of pst so imix it outta mad professor and some people start to arrive and vibe with me, my intention is clear, warm and eazy e vibes is set to follow i try to make a soundsystem sing and the people dance juggling records and mp3s is a must in this century if i truly am gonna represent this country proper some exclusives are only on mp3 watch the mixin its basic but effective. iam the gatekeeper to a special kind of uk sound i been here since 19 long time
its Dilla month so i test the system with Jungle Love beat is so heavy rhyme so on point (its going well) i come with classic material you have never heard before we twist and push the envelope take you in and out your comfort zone the crowd is buildin still and as midnight approaches in walk the man like bongo damo long time friend and mentor i know what he wants to hear and iam the only dj with balls big enough to front this shit Brand fucking new music mixes with classics and its all fun lets move this thing to the nxt level the vibes were high the women wre there it was a most beautiful happening i have been making tastes since 1995 and its evident as the party heats up so does the tempo we now bubbling nicely ready for the big tune to drop the barrington levy remix is so hype i cant help but throw my hand in the air i love what i do, on to the wheel ups i pull a couple of tunes back to the top for the people dem job done i ease into the night with some of my favourite records and finish with my fave dilla joint . flo comes back on and the vibes flo to higher vibration the selections get deeper and nicer two o'clock comes too soon and you have to wait till next week when it will be even better than you remember one
Lets Go With The Flo @ P.S.T by Beta Max on Mixcloud
https://twitter.com/alladats
Sunday, 5 February 2012
Friday, 3 February 2012
Ron Trent. Not from Stoke on Trent.
The proletariat have seized the means of production. Music production, that is.
Any halfwit with a copy of Ableton, Cubase and Reason can bang together a semi respectable track these days. A myriad of sounds, instruments and, snyths, all at your fingertips. The options have never been more varied, the price never more accessible.
So why do tracks like this and other offerings from the late 80's/ early 90's wipe the floor with today's output? Nostalgia? A meandering walk down Memory Lane? Perhaps. But I wasn't attending raves under the M42. I was 10 when this badboy came out. I might have looked older than my age (something I exploited to the full a few years later) but I didn't look that old. I only discovered these gems a few years into my conversion to House music, circa 1995 onwards.
So what is it?
A Guy Called Gerald ( Mr Gerald Simpson to his postman) described his Roland TB-303 bass synthesiser and the TR-808 as a sort of time machine, the idea that the beat of the drum has performed a vital role in group and tribal gatherings since the year dot. He is merely the conduit, duplicating, repeating and harnessing this ancient power.
It's an interesting concept, but where do the bleeps come into it? After much deliberation, I am of the opinion that Ron Trent, Kevin Saunderson, Marshall Jefferson and all the other early pioneers were sent here from another planet. What else could reasonably explain the gulf in class? Those bleep sounds were merely a form of communication, the opening salvo in our integration into a wider cosmos. I accept that this moment of clarity might be heavily influenced by lack of sleep and spending way too much time on David Icke's website recently, but a world run by lizard people and aliens is -quite frankly- not as scary as a world with Sarah Palin, David Cameron and Nicolas Sar Co Zeee manning the controls.
Slightly to the left of usual posts, but a piece of art that deserves 3.52 minutes of your life
Thursday, 2 February 2012
Sub fm where bass matters
http://www.mixcloud.com/whistla/subfm-24th-january-2012/
Whistla wheels up alladat the people them a demand it seen
link to the release is below check it its alladat
Wednesday, 1 February 2012
Tuesday, 31 January 2012
Monday, 30 January 2012
Imogen Heap - Just for Now (Gosteffects & Rule of Eight I'm God Remix)
Friday, 27 January 2012
808 State - Pacific State
Thursday, 26 January 2012
Tuesday, 24 January 2012
Lost in the Mix.
So as it’s now known that I have nothing to do, I was asked if I would like to dust off my turntables, sift through my 12 inches and add a mix tape to this very blog I'm now writing on. I did have a long hard think about doing this as I haven't recorded a session on the wheels of steel for ages, however in the end I decided against it. After listening to the other mixes on the blog from very talented people I decided I wouldn't have been able to face the laughter and jeering filling the comments boxes.
Not wanting to let a mate down I have instead decided to participate in another way, and after impressing the blog owner with my spelling and overuse of long words in the wrong context. I thought a small article (or bitter rant as I prefer) on how the very art and magic of mixing has changed within the dance scene. I felt this would be more appropriate, so here it is.
My love for dance music started many decades ago, well a few anyway (I’m not an old person but unfortunately I can’t class myself as young anymore). It was around 1994 that I started to take a serious note of dance music and when I first started making ‘Mix Tapes’. The old skool style of mix tape. Not a collection of songs skilfully put together via beat matching and perfect timing but solely via the use of a tape cassette recorder, a pause button and the radio. It was basically the start of music piracy and a lot better than the ‘Now That's What I Call Music’ compilations.
Recording a selection of songs from the Top 40 didn’t last long. Having a slightly older sister, I was then introduced to the essential mix. 2 hours of non stop electronic dance music brought to your bedroom/living room/garden by some of the best DJ’s in the world. I no longer had to use the pause button. But it was this weekly radio show that had planted the tiny seed in my mind of having my own turntables, which sat alongside a dream of being the best DJ in the world.
3 years later I was the proud owner of some Soundlab belt driven turntables. I was like a kid at Christmas (which would make sense as they were a Christmas present from my parents) and a total of 4 records of which to mix together. Having progressed in those last few years from just ‘House’ music I decided my music of choice was going to be good old Drum N Bass. Within twenty minutes of messing around I had realised that the professionals were indeed a talented bunch, and making two songs sound like one progressive track was a lot more difficult than first assumed. For the following months I became very familiar with the sound of herd of elephants in the middle of an active war zone. This is known as the Beat Clash.
Moving on four years and after a heap of practising and a set of Stanton turntables later, I was a competent DJ. I had confidence in the ability and power of my ears to match two songs together. With the speed and timing right, people could just continue to dance never knowing how that magic happened. I then finally became the proud owner of my Technics SL 1210s and my Allen & Heath mixer. In my bedroom I was king.
It wasn’t long after the new wheels arriving that I finally became a ‘professional DJ’ charging bars and clubs for my services and landing a few residences on the way. These were good years I would turn up with my heavy box of records, be given some free drinks, entertain the crowds with my live mixing get paid and go home. I did also notice though that whilst the majority of people would be happy to hear and just dance to the music, there was always others who would like to watch the DJ perform. They wanted to see the DJ at work, cueing up, working the mixer and swapping records. Just like I had used to. To people into the dance music scene Mixing is an art form.
Or rather, it used to be.
I haven’t DJ’d in a bar or club for around 5 years now but when I still go out (not that it’s a lot these days to be fair, being in hard times and all that) I still like to listen to the DJ’s and the music that they’re now playing (dubstep is trying to take over the world). The thing I find sad is that a lot of the places I now go don’t have a DJ any more. They have someone on a laptop. I know that technology is always evolving but it’s also taking away the talent and the personal aspect of it. I personally was never a fan of CD decks but they still worked in a similar way to vinyl, it still required a hand on approach and an ear for the music itself.
I know that I may open myself up for a bit of stick for this article but I just find the whole idea of DJing from a computer wrong. It defeats the purpose of you actually needing to be there to supply the personal touch a lot of people still want from a DJ.
It's just far too easy to get into it these days. The programs that you can use can beat match and sync almost anything together just at the touch of a button, all the ‘DJ’ has to do is download the latest tracks via itunes, an alternative online store or dare I say it, illegally. This can even be done half way through a set when the computer is doing all the 'mixing' for you.
The reason for this rant I suppose is that without listening to and seeing the Stars of the DJing world I would not have got into it myself. I fear that now when you go out and look over at the DJ box all you will see is the illuminated Apple logo on the back of a laptop and hear the same mix you hear everywhere else you go because a computer program has done it.
I just hope I’m wrong.
Well anyway I’m glad I’ve got that off my chest. I’m now off to download some torrents and have the computer make me a mixtape for my ipod.
Jay Lowry.
The Unemployment Diaries
Let us know what you think. Is DJing becoming a lost art or is it time we braced the technological DJ revolution?
Wednesday, 18 January 2012
Soultec - Movements In Jazz EP (Phuzion Digital)
Electrosoul system aquatique
Dub Phizix and Skeptical feat Strategy - Marka - Exit Records
State Of Mind ft. Nymfo - Roxy
Aphex Twin - On
Tuesday, 17 January 2012
Monday, 16 January 2012
Vincent Bella. iPhone cover version series, No. 2.
Wednesday, 11 January 2012
Brand Nubian
Tuesday, 3 January 2012
Vincent Bella. iPhone cover version series, No. 1.
Enjoy.......


